Flown take wing with the ruffled, raggedy airs of a garage band, but what sets them apart from the jangling ranks is their fondness for riffs; Margot Bianca unafraid of sludging it up with some lo-fi, indiefied interpretation of classic doom-metal chug.
There's riffing at work on "Almost Human," Flown's newly released jam. But its one component in a swirling mix of sweetness and lights, darkness and vice; echo-draped harmonies and eerie ambience wafting amidst fuzzy guitar/bass riffery that feels more unmoored than earthbound.
Flown, "Almost Human"
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